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Material: Chicano Iconography

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Our Lady of Guadalupe Mural, Santa Fe, New Mexico 1990

Chicano iconography in the United States encapsulates Mexican culture through historic and contemporary material representation in murals, tattoos and t-shirts. Of these images, seven appear most frequently: pre-Columbian symbols, skeletons or skulls, cars (especially low-riders), drama masks, Zoot Suiters, jail images, and the Virgin of Guadalupe or roses (Goldman 1997, 125). Each image carries its own significance in the Chicano community, providing wearers/artists an opportunity to exhibit pride in Mexican identity, represent themselves as members of their ethnic group, and, in many cases, to resist the colonial authority on which modern border policies are built (Goldman 1997, 130).

 

Specifically, the Virgin of Guadalupe is depicted as dark-skinned, appearing more similar to the Mexican community she represents than the Anglicanized version depicted in European Catholic communities. She appears most often in murals, other forms of Chicano visual artwork, and on t-shirts. Although she is a prominent Catholic saint, recognized within the Church as the mother of Jesus Christ, her visage has been used in Mexican struggles against dominant social and political powers, including those which have been spearheaded by the Spanish who first introduced Catholicism to Mexico (Goldman 1997, 130). 

 

Leaders of the Mexican rebellion in 1810, and again in 1910, carried the image of the Virgin Mary while leading their armies against the Spanish, as a symbol of hope and protection. Modern revolutionaries continued the traditions, and in the 1960’s her image represented Mexican farm workers who went on strike to protest abuse and deprivation in the agricultural positions in which they worked (Goldman 1997, 130). Today, t-shirts and murals of the Virgin of Guadalupe are used as an emblem representing values such as love, unity, peace, and appreciation. Once a source of solace and cultural continuity among the indigenous populations of Mexico, she has continued her influence “as a powerful symbol of connectedness between the members of the Chicano community” (Goldman 1997, 131).

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Image from Beatriz Cervantes, Pinterest: https://www.pinterest.com/pin/325877723028582709

Cultural: Modern Pilgrimages

St. Thérése of Lisieux

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Pilgrimages to the basilica of the Virgin of Guadalupe in Mexico began shortly after the shrine was erected (Wolf 1958, 35). Today, the site of human interaction with the Virgin of Guadalupe is not limited to Tepeyac Hill, nor do all pilgrimages lead to Mexico. Other sites of Marian apparitions include Lourdes, Fatima and Medjugroje (Wojcik 1996, 131). These shrines are prominent, but Marian shrines also exist in the United States among Mexican Catholics, and regular visitors are an active part of Virgin Mary folklore here as well. For example, in New York’s Flushing Meadows-Corona Park, Mrs. Veronica-Lueken’s religious visions of both the Virgin Mary and St. Thérése of Lisieux have drawn pilgrims and

their cameras. “Miracle photos” of the apparition site are believed to contain allegorical symbols intended for the faithful to interpret as divine revelation. Mrs. Leuken herself functions as a modern day prophetess, whose words on great feast days are considered to be repetitions of the Virgin Mary’s own, and which often take on apocalyptic tones. The shrine is named “Our Lady of the Roses, Mary Help of Mothers” according to one such dictation (Wojcik 1996, 130).

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